THE ART OF EXPRESSION "HIP HOP FREESTYLE"

THE ROXY ROLLER RINK

LATIN QUARTERS

ELITE FORCE

MYSTIDIOUS MISFITS

HIP-HOP ( a.k.a. " Freestyle/Mix of Social Dances and various elements/Party Rock): Created by the scene of NY in the early 80s, that stemmed from the lineage of social dances given by the inspiration from the music through the people. The dance spread world-wide very fast through videos. Making the dancers more popular to the dance world than the actual artist; yet no one knew their names. So, in the late 80s, a specific group of people spread this dance around the world.
Going through to the middle 90s, Hip-hop spread through other states who may have been doing it in the late 80s, but became more popular in the mid to late 90s throughout USA and SOME of them are the Harlem Shakerz, Cliff " Spen " Spencer, Poker, Tic-Toc Nervil, Bam Bam Valentine, Violeta Galagaranza, Kim Holmes, Swoop, Looney, Punch, Goofy, Flii, Tii, Supa Dave, Tweet Boogie, Lite Feet nation ( Cry Baby, Keenan " Silencer", E-Solo, and more), and many more........

This is the history of what is deemed today as "Freestyle Hip Hop Dance", as lived by (Buddha Stretch).

Freestlyle Hip Hop Dance came to its inception around late 1984. As the over exposure of FUNKstylin and B-BOYIN, (commonly referred to as BREAKdance) reached it's apex with the release of films like "BREAKIN, BREAKIN2/ELECTRIC BOOGALOO, and BEATSTREET", as well as several commercials, and videos, by the end of that year the integrity of the culture had begun to fade.

However, The ROXY roller rink brought hope as the place to be during this time period of bboyin & funkstylin, in NYC. This is where I went and met most of the dancers that i know today. At that time there were many other "street" dances like the Prep and the Fila (in Bklyn aka the Rambo, cuz heads used to yell "GO RAMBO" when they did it) and many more.

In the spring of 85', the ROXY closed and the staff moved 2 a club called INFERNO, on 31st Street and 6th Avenue. That year the Original club LATIN QUARTERS, started playin Hip Hop on Friday's and Freestyle (latin electronica) on Saturdays. Club Inferno played Hip Hop on Friday also but closed down soon after. It was in 85' that I noticed heads were not B-BOYIN or Poppin anymore except on Saturday's at Latin Quarters. Only the aforementioned dances were rockin on Friday’s. This went on into 1986...

I started going to the ROOFTOP, a roller rink in Harlem. It was there that i saw my first glimpses of CREWS forming that would at one time be strictly B-Boyin or Poppin. During this time more dancers started to incorporate regular street dances like the James Brown.

Later that year, a club called UNION SQUARE opened on 14th Street and It was at this club that what we know today as Freestyle Hip Hop came together. My boy Tron put together a show with some B-Boys and Poppers to perform one night. On that night some of the dancers became intimidated by the ROWDY and THUGGISH crowd at the club. And in turn decided not to do it. So Tron called my boys PETER PAUL and DANILO to the stage and they ROCKED! The next day Tron called me (wondering why i didn't come) and told me what went down. The performance was such a success that they wanted "Us" (notice how I thru myself in) to perform every week. Nevertheless, we opened up the show every week from September 1986 thru January 1987 for the likes of BDP, HEAVY D, Salt N Pepa, JAZZY JEFF and WILL SMITH.

I was deemed the choreographer with the help of MICHELE ANN TRAVIS (R.I.P) who did the promotion for the club, our crew, and first DJ's RED ALERT (then CLARK KENT). These were the beginnings of Freestyle Hip Hop Dance where I incorporated ALL the dances that I knew or just learned into our routines.

From there I went on to dance for the LEGENDARY group WHODINI in the summer of 1987. Later that year more dancers joined Rap acts like Scoob and Scrap with Big Daddy KANE and my boy Trini with SALT & PEPA.

Nowhere in this post do i take credit for the invention of anything. Just the honor of making this dance style popular and being it’s first choreographer. As far as MOPTOP and Elite Force; we formed together officially as MOPTOP in 1991 and Elite Force didn't come together officially as a crew until 1992. The Original MOPTOP crew were LINK, Caleaf, Ejoe, and myself Stretch. The extended family were Peter Paul, Rameer, Tone, Casper, Ade, and Loose Joint. Marquest, Rubberband (not the same as Wigs' referring to), Peekaboo, Kito, and Prancer, were in a group called the Mystidious Misfits.

Elite Force was "coined" as a group on the set of Michael Jackson's Video "REMEMBER THE TIME". Link was not in the front line of the video. So he practiced the routine harder so he could make up into the "Elite" status. Thus the name, because we wanted to be a "Force» not to be reckoned with.

The dancers of Elite Force came together seemlessly because we danced together and had the same interests and backrounds. We have an undeniable "Force" of talent, chemistry, and professionalism in our crew which has become the key ingredients in our path to success.

Social dances such as  The Prep, Fila (after the sports shoes), Roger Rabbit, Steve Martin, Cabbage Patch, Humpty Dance, Robocop, Pee Wee Herman, Running Man and many other steps spread around the scene. Often, a simple movement performed by a movie star, comedian or other character was exaggerated or mocked, harking back to other African-American dances like the Cakewalk from a century earlier.

WRECKIN SHOP

THE LEGANDARY HIP HOP DANCERS....

Emilio Austin JR

   "BUDDHA STRETCH"

JAMEL BROWN 

"LOOSE JOINT"

TERRY WRIGHT

" BROOKLYN TERRY"

MARQUEST

MISFITS

BRIAN GREEN

"FOOTWORK

CHRIS MATHIS

"SHAIK"

HENRY MCMILLAN

"LINK"

MARK ALEXANDER

"FLEX"

VOODOO RAY

PEEK-A-BOO

MISFITS

MAJORY SMARTH

"LARG MARJ"

SHANNON MABRA

      "WHICH WAY"

EJOE WILSON

BOBBY MILEAGE

RUBBERBAND

MISTFITS

RAYMOND ABBIW

"SPEX"

AND MANY MORE.....

National Diversity Awards 2018 Nominee

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